Buildings have the capacity to affect our emotions.

When designed with care, they can move us and put us into a state of emotional awareness that heightens our everyday experience of living. But unfortunately, a building’s ability to elicit any kind of meaningful emotional response is a rare quality. More often than not, buildings tend to take on qualities of passive functionality that lose sight of the potential they have to move the human spirit. We tend to experience most buildings in a kind of unconscious haze as a result, frequently becoming
absent-minded in our day-to-day rituals of life. We are surrounded by buildings and utilize them on a daily basis, and yet, very few have meaningful qualities that can register a kind of consciousness that leaves us with a lasting impression. Why is this? What separates those buildings we tend to disregard and those which move us internally?

The answer lies in a building’s ability to embody presence.

Presence is a quality not easily defined, but it goes beyond the superficialities of external form and instead, focuses on certain core principles which bring the building and the human experience in harmony. When a building has presence, it moves us emotionally and creates a consciousness of existence that arises in large part from its capacity to satisfy our innate human behaviors and drives.

Architect Louis Kahn once wrote,

“A great building, in my opinion, must begin with the unmeasurable, must go through measurable means when it is being designed, and in the end must be unmeasurable.”

This is my concern in architecture:

To identify those essential principles that contribute to the feeling of presence in space. It is an attempt to define those “measurable means” that can get us closer to the elusive qualities of the “unmeasurable”.

In any given work of architecture we must strive to establish of sense of presence as a way to connect a building with the human experience. In order to do so it must express within it the following principles:


The Honesty of Material & Construction
The Evidence of Human Expression
The Movement of the Body
The Engagement of the Senses
The Compatibility of Materials
The Feeling of Belonging
The Solace of Nature
The Acceptance of Imperfection
The Character of Light
The Perception of Weight
The Subtlety of Proximity & Distance


Buildings today have somehow forgotten the importance of creating authentic meaningful connections with the people who use them. We have failed in understanding the reciprocal nature of design, that any built work is ultimately an offering to the people.
If this offering is done well, with qualities that move the human spirit, the people will perceive this care and ensure in a building’s persistent upkeep and preservation.

When we design buildings with presence in mind, we establish authentic meaningful connections with the people who use them and acknowledge that the basis of architectural design is a service that originates from an utmost respect to the human experience.

Poetry can exists in architecture and I believe it is within these principles that it can be found.

- M A R L O N G U T I E R R E Z C R U Z